![]() ![]() ![]() ![]() For those interested in studying people’s movements of the early 21st century India, like Anna Hazare’s ‘andolan against corruption’ (2011), it would be worth researching the role of new millennium celluloid social critiques like Rang De Basanti and Lage Raho Munna Bhai (2006). Rang De Basanti was a truly daring film - its success, connect, influence and referencing (cinematic and academic) is a testament to that fact. it’s no wonder we’re peeing on the present.” Incidentally, the film’s narrative style, with the past and the present running parallelly, did create a convincing and challenging storyboard for future filmmakers. He says: “With one leg in the past and one in the future. In one of Rang De Basanti’s (RDB) many moments of frank criticisms, Aamir Khan’s character, Daljeet, comes up with a dehati (rustic) logic to sum up the complexities of today’s India. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |